A study of the transient nature of the first rays of morning light, Dusk can be seen at once as the embodiment of an atmosphere and an abstract landscape setting the tone for the series “As Adam, Early in the Morning”. In complete opposition to Doganoglu’s other paintings from the series, there is no emerging figure here. Instead, it is the emergence of light itself which is the focus of the painting, revealing color in minimal shifts out from darkness, in fleeting tones of blue, green and violet as conditions of visibility are about to change.