weekend : Aykan Safoğlu

Press release
For his first gallery exhibition in Turkey, Aykan Safoğlu will be showing the second essay-film of a trilogy on death — ziyaret/visit, along with a new body of work.
 
Departing from the basic principles of analog photography, Aykan Safoğlu constructs form-fluid works to pose questions related to queerness, migration, and dispossession. In his durational works and interventions, Safolu challenges our notions of resilience, celebration, and most recently, mourning. In ziyaret/visit, the artist performs an introspection on why he has not been able to take photographs for a long period of time. Safolu’s cessation from capturing images marks a turning point in his life, as well as an ‘unspeakable’ event of rupture in our collective memory. In other words, the artist mourns his traumatized former self who is reluctant to take photographs, whilst appreciating his slow reconciliation with photography.

Safo
lu’s camera invites us to wander in Berlin's historical cemetery ‘Alter St.-Matthäus-Kirchhof’ (Old St. Matthew’s Churchyard) along with his long-time friend Gülen Akta— a Kurdish feminist cultural worker, who relocated to Germany following her mother irin Akta' footsteps in the late 70’s.

In Safo
lu's oeuvre, the dialectic of friendship is indeed both a central theme and an artistic methodology. In ziyaret/visit, the artist's friendship to Gülen Aktaş enables him even to elaborate on a rich symbolic and semantic network to reflect on German social dynamics. Aykan Safolu joins Gülen Aktaş and her sister Nuren at the cemetery gates to turn it into a prolific site for an archeology of feelings.

So [they] go inside and [they] gravely read the stones
All those people, all those lives
Where are they now?*

Afro-German poet May Ayim, renowned conductor Israel Yinon, Hamlet Manukyan, artist Helga Goetze, the legendary Grimm Brothers to name a few...Their metaphorical encounters allow the spectator to migrate to different timescapes subtly drawn by the artist, accounting for how "one's past perfect becomes our present tense".
Elif Akçalı will lead the artist through a public talk on January 18, 2020 that will start at 3pm. The talk will take place in the Galata Hall on Cibali Campus of the Kadir Has University. (in Turkish)
 
The show will be accompanied by a bilingual publication entitled "I Wanted to Photograph You": a rigorous conversation initiated by Denise Helene Sumi with Aykan Safolu on the occasion of the artist’s residency at Akademie Schloss Solitude. "I Wanted to Photograph You" was originally published on Schlosspost, an online portal of Akademie Schloss Solitude, in March 2019. The Pill would like to thank the editorial team of Schlosspost for their generous permission to republish the text.
 
A radio interview with Aykan Safolu and Gülen Aktaş was recorded on November 29, 2015 as part of Rijksakademie Radio, which was presented by Femke Dekker and Radna Rumping (Ja Ja Ja Nee Nee Nee), at Rijksakademie van beeldende kunsten, Amsterdam. The conversation will also go online on our website thanks to the JJJNNN Collective’s generous support.
 
Elif Akçalı is a film scholar, who has been working on essayistic practice in filmmaking and art. She recently published "Accented Essays: Documentary as Artistic Practice in Contemporary Audiovisual Works from Turkey", an article in which Aykan Safolu’s essay-film Off-white Tulips is a case study for Akçalı to reflect upon the relationship between essayistic practices in Turkey and the contemporary social and political context.
 

 
Aykan Safolu was born in Istanbul and graduated from the ‘Art in Context’ MA program at Universität der Künste, Berlin. He received his MFA in Photography from the Milton Avery Graduate School of the Arts at Bard College, NY. In addition to his latest solo exhibitions ziyaret/visit at Kevin Space, (AT, 2019) and Off-white Tulips at Ystads Konstmuseum (SE, 2016), he has recently participated in such group exhibitions as: Imagined Communities, 21st Contemporary Art Biennial Sesc_Videobrasil (BR, 2019); Class Languages, Kunsthalle Düsseldorf (DE, 2018); – soft g – queer forms migrate, Schwules Museum* (DE, 2017); Father Figures are Hard to Find, nGbK (DE, 2016); Home Works 7, Ashkal Alwan (LB, 2015); Sight and Sounds: Turkey, The Jewish Museum (US, 2014). In 2018, Safolu was a fine arts fellow at Akademie Schloss Solitude in Stuttgart. He was an artist-in-residence at Beirut’s Ashkal Alwan in 2016, as well as at Rijkakademie van beeldende kunsten’s SAHA Studio in Amsterdam during 2014-2015. Recipient of the Grand Prize of the City of Oberhausen at the 59th International Short Film Festival Oberhausen (DE, 2013), Safolu was invited to participate in the public programs of the 15th Istanbul Biennial (TR, 2017) and the March Meeting 2017 at the Sharjah Art Foundation (UAE). Lately, Aykan Safolu received an honorable mention at the 21st Biennial of Contemporary Art Videobrasil. Safolu is currently a PhD student at the Academy of Fine Arts Vienna.
Installation Views
Exhibition Text